The Social Network: 10 Years Later

Ten years ago today David Fincher’s movie about the founding of Facebook hit the theaters. The Social Network was a box-office success raking in nearly $225 million worldwide and earning a 96% rating on Rotten Tomatoes.

Movie poster from Wikipedia

According to Wikipedia, ” At the 83rd Academy Awards, it received eight nominations, including for Best PictureBest Director, and Best Actor for Eisenberg, and won three: Best Adapted ScreenplayBest Original Score, and Best Film Editing. It also received awards for Best Motion Picture – DramaBest DirectorBest Screenplay, and Best Original Score at the 68th Golden Globe Awards. In 2016, it was voted 27th among 100 films considered the best of the 21st century by 117 international film critics.”

If you’ve never watched the movie, here’s the storyline from its IMDb webpage

On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history… but for this entrepreneur, success leads to both personal and legal complications.

https://www.imdb.com/title/tt1285016/

The main characters involved in the early days of Facebook have gone on to make their fortunes in the tech business. Some have denounced Zuckerberg and what Facebook have become. You can read more about their exploits here.

The Social Network is a movie, adapted from a 2009 book, about social media, that you can watch on your TV (via Netflix)…oh, and it won the Academy Award for Best Original Score. What could be more illustrative of media convergence than that?

It’s Showtime at Your Local Movie Theater

The motion picture industry has been put on hiatus by the Covid-19 pandemic and theaters that have been closed for many months are only now starting to slowly reopen. With few exceptions, e.g. Tyler Perry’s studio outside of Atlanta, film and TV production has ground to a halt over recent months. To put it in perspective, by this time last year domestic box office had surpassed $11B. This year they are struggling to break $2B. But now, as production is beginning to resume and movie theaters are beginning to reopen, safety protocols are the focus of attention.

According to Axios, executives from the largest theater chains are introducing safety protocols that they believe will encourage folks to return to movie theaters. The CinemaSafe campaign is fairly routine stuff, but if all goes well, and Covid-19 cases continue to drop, they’re hoping that movie buffs will return to being comfortable sitting down with a tub of popcorn to enjoy the big-screen experience. I don’t know about you, but I’m looking forward to Christoper Nolan’s “Tenet” set to be released over Labor Day weekend. If you go expect the following: masks, social distancing, reduced capacity (40%-50%), upgraded air filtration systems, and touch-less ticket sales.

Sonic Boom!

It was a big weekend for Sonic the Hedgehog, the new videogame movie release from Paramount Pictures. Earning upwards of $70M domestically in its 4-day opening weekend gave Sonic the biggest-ever opening for a movie adapted from a video game.

But the path to success was not without a few bumps in the road. Last year’s November release was delayed after fans took to social media to pan an early trailer because of a creepy looking Sonic.

https://youtu.be/SXDa8i75PpM

With fans up in arms, Paramount did the right thing by delaying the opening and spending another $5 million bucks to give Sonic a makeover. The new Sonic turned out to be a vast improvement and led to this weekend’s big open. Turns out bigger eyes, smaller (less-human looking) teeth, and a less-elongated body is a better look for SEGA’s little speedster.

Old v Redesigned Sonic

Knowing your audience and taking the time to get it right appears to be the lesson to be learned. Audience research can be expensive, but bombing at the box office is even more expensive. That’s a lesson that we could only have wished the producers of Cats would have learned.

Parasite With the Win

If you watched the Academy Awards, aka Oscars, last evening you know that the Korean film Parasite was the big winner. With four Oscars, including Best Picture, the social comedy thriller will be sure to attract movie-goers who may have missed it when first released. And because it is the first foreign-language film to win Best Picture, Parasite is attracting a lot of attention from the global filmmaking community. Also, it is important to note that the Best Foreign-Language Film label was changed this year and from now on it will be known as the Best International Feature Film.

In other Oscar news, Steve Martin and Chris Rock were pretty funny in their roles as “non-hosts” as they poked fun at Bezos and pointed out the lack of female nominees. The very touching Hair Love won Best Animated Short and Toy Story 4 won Best Animated Feature. Musical performances included: Janelle Monae, Eminem, Billie Eilish, and Elton John, and Elton got an Oscar. And in what some will consider a major upset, The Irishmen went 0 for 10 (although director Scorsese received quite a few shoutouts from winners). One of my personal favorites, Ford v Ferrari, picked up a couple of technical awards early on. The best actor winners were fairly predictable: Renée Zellweger, Joaquin Phoenix, Brad Pitt and Laura Dern. And as expected, 1917 and Once Upon a Time in Hollywood did pretty well despite not winning the big awards.

The Academy Awards are both a celebration of what Hollywood does best (storytelling and the manufacturing of culture) and a cringe-worthy spectacle of decadence, hubris and self-importance. It’s hard to imagine it being anything else.

Concern over Movie is no Joker

According to the MPAA movie-ratings site, Joker is “rated R for strong bloody violence, disturbing behavior, language and brief sexual images.” Scheduled to open in theaters this Friday (Oct 4th), Joker is not an appropriate film for youngsters who may be fans of the Batman franchise.

“Starring Joaquin Phoenix and directed by Todd Phillips, the movie has already been deemed dangerous by its vocal critics, akin to an incel training manual. To some of the movie’s fans, those critical reviews and negative reactions are just another example of social justice warrior overreach. “

Vox

Concerns over dangerous media content have a long history going all the way back to the ancient Greek philosopher Plato who warned about the dangers of writing. Plato was concerned that writing would be a substitute for memory and over time result in forgetfulness. Centuries later, photography was seen as facilitating the sin of idolatry. Motion pictures (film) introduced young audiences to all sorts of vices including lust and violence. Comic books, radio, TV, internet and video games have all suffered the same accusations of endangering young hearts and minds.

But just because we’ve come to dismiss the dangers and fears associated with each new technology does not mean that we should dismiss real threats when they arise. Bullying on social media, addiction to video game play or pornography, and racism and misogyny promoted in anonymous chat rooms and forums: each of these are real threats to physical and mental health and, one can argue, a threat to community.

Based on the trailers for Joker some are questioning whether the film gives too much attention (and cover) to “disaffected white men” whose alienation leads them to act out to get attention. The following tweets capture this sentiment.

In response to criticism the Warner Bros. studio offered this statement.
“Warner Bros. believes that one of the functions of storytelling is to provoke difficult conversations around complex issues. Make no mistake: neither the fictional character Joker, nor the film, is an endorsement of real-world violence of any kind. It is not the intention of the film, the filmmakers or the studio to hold this character up as a hero.”

Not being a big fan of superhero movies–and not one to enjoy gore and extreme violence–I’ll likely sit this one out. But if you see it I’ll be interested to hear what you think. Is it a dangerous film, or are the critics who are passing judgement a greater danger to our collective well-being?

Tools of the Trade

It used to be that making a major motion picture was something that you could only do with the full support of a major Hollywood studio. Even independent movies were huge undertakings requiring massive budgets (in the millions of dollars) for the rental of expensive film cameras, lighting rigs, cranes and dollies. Even with the introduction of digital video cinematography, spending $100,000 on a RED or Arri camera was the cost of doing business.

Fortunately for many of us, low-budget filmmaker Robert Rodriguez started a trend towards ultra-low-budget filmmaking which lowered the barrier to entry for talented, but undiscovered, filmmakers.

Just last year Rodriguez offered $7,000 grants to five amateur filmmakers to shoot a feature film in two weeks. The film shoots became segments for Rodriguez’s show Rebel Without a Crew, based on his book by the same name, for the upstart streaming media service Go90.

But that was just the start. According to the CultofMac website, Hollywood feature film director  Steven Soderbergh recently shot a feature film with the iPhone X and is talking about doing it again. This was not just a stunt, according to Soderbergh.

“I think this is the future…anybody going to see this movie who has no idea of the backstory to the production will have no idea this was shot on the phone. That’s not part of the conceit.”

Not convinced? Check out this video.

The fact that many of us have, in our pockets, access to this kind of technology should be a wake-up call to anyone who has big dreams and a small wallet. Now get out there and shoot something!

Are the Media Complicit in Harvey Weinstein’s Sexual Abuse?

The avalanche of accusations against movie mogul Harvey Weinstein continued unabated this week as more women came out to accuse him of  sexual harassment, groping, and even rape. In hindsight it appears that the only people in Hollywood who didn’t know about Weinstein’s behavior were members of the media. Or worse…perhaps they did know but couldn’t bring themselves to report it.

The abuse by Weinstein was so well known in Hollywood that it even served as a joke by Seth MacFarlane on the 2013 Academy Awards  telecast. While McFarland describes the joke as “a hard swing in his [Weinstein’s] direction”, others are describing MacFarlane’s joke as just another example of not taking these allegations seriously. Here it is…you decide:

This kind of behavior is, sadly, not new. The infamous Hollywood “casting couch” has never been so clearly revealed to anyone who cares to look past the flimsy curtain. The sad reality is that men in positions of power have been able to prey on victims who are afraid to report the crimes.

What is new here is the scope and size of the offense, and the reach and influence of the perpetrator. Few media moguls are as big as Harvey Weinstein. According to a report by PBS, “Between his work at Miramax and The Weinstein Company, which he co-founded, Weinstein’s films have received more than 300 Oscar nominations and secured 81 wins for films like ‘Pulp Fiction,’ ‘Sling Blade’ and ‘Shakespeare in Love’”.

Weinstein’s clout was not just felt in Hollywood, but also New York (the center of the news media), and Washington D.C. A long time political donor to Democratic politicians, the Clintons and Obama counted on Weinstein to deliver both dollars and votes. Michelle Obama called Weinstein “a wonderful human being, and good friend” and the Obama’s daughter Malia worked as an intern in his office.

But what really has people scratching their heads is the official silence from news organizations. Why did it take so long for the story to break in The New Yorker? Decades after the fact, reporters are now telling stories of how their reporting on Weinstein was spiked by editors and publishers who didn’t want to offend Weinstein. Why would media outlets that take seriously the oath to “seek the truth no matter where it leads” turn away when the path leads to Weinstein’s door?

According to recent reports, the sexual assault allegations have exacted a toll. Weinstein was fired by his production company, his wife left him, political friends have denounced him, and he has been expelled from the Academy of Motion Picture Arts and Sciences. But for the many women who were harmed by Weinstein, this is only the beginning of justice being served.

Update: After posting this I ran across this article in the Weekly Standard. More food for thought.

 

 

Take the Oscar Challenge

logo_oscars_3d-colorIf you’re 18 years of age or older, are a legal resident of the USA, not a felon, not an employee of the Academy (or family member of an employee), and don’t mind signing in with your Facebook account…you can enter the Oscar Challenge sweepstakes for a chance to win a trip to  next year’s ceremony.

Just go to http://challenge.oscar.com/ and submit your ballot by picking the winners in 24 categories up for selection. The grand prize winner (randomly selected from those with the highest number of correct predictions) will win,

… one (1) Oscar® All-Star Winner prize package, which consists of a 3-day/2-night trip for two (2) to Los Angeles, CA and tickets to sit in the bleachers next to the red carpet arrival area at the 90th Academy Awards® tentatively scheduled to take place on March 4, 2018 (“Trip”). The exact date of the 90th Academy Awards® is subject to change; exact date will be provided to winner at least sixty (60) days prior to the event. Grand Prize Trip includes round-trip coach class air transportation for two (2) to Los Angeles, CA from an airport near winner’s residence (as selected by Sponsor in its sole discretion); two (2) nights’ hotel accommodations (one room, double occupancy) at a Los Angeles area hotel (as selected by Sponsor in its sole discretion); ground transportation between Los Angeles area airport (of Sponsor’s sole choosing) and hotel; and two (2) tickets to the bleacher section next to the red carpet arrival area at the 90th Academy Awards®.

Please note, “GRAND PRIZE DOES NOT INCLUDE ADMISSION TO THE 90TH ANNUAL ACADEMY AWARDS® CEREMONY OR ENTRANCE INTO THE DOLBY THEATER.” You can read all the rules here!

Of course if you want to witness the grand spectacle from INSIDE the venue, you could always look into becoming a seat filler. Or, if you prefer, just kick back and watch the show, hosted by Jimmy Kimmel (for the first time). The live show is scheduled for Sunday, Feb 26 at 5pm MST.

This year there are nine nominees for Best Picture. The film with the most nominations is La La Land with 14 (including Best Picture)!

Recently on Kimmel’s show Viggo Mortensen had some advice for Jimmy.

I’d Like to Thank the Academy…

chris-rock-oscar-countdownThe first Oscars ceremony in 1929 was all of 15 minutes long. Last year, it was nearly 4 hours. Part of the reason for the length is the fact that nearly everyone honored with an award gets to make a speech, and in that speech they try to remember and thank the many “little people” who contributed to their success. It’s nice to be generous and to recognize the folks who helped you reach the top…but come on, some of these speeches go on far too long.

Producers and directors try to keep the show moving by cueing the live orchestra to “play them off” the stage after 45 seconds passed, but some don’t take the hint. This year, things will be a bit different. Instead of giving verbal thanks, nominees have been asked to list the names of those they’d like to thank should they receive the opportunity. And then, when their time comes, the names will scroll across the bottom of the screen, ticker-tape fashion, while the awardee focuses on delivering a short and pithy acceptance speech. It will be interesting to see if this works. By the way, can you guess which actor/actress has been thanked the most by his/her peers? Check it out here!

On a side note, the “swag bag” this year will be worth upwards of $220,000. Among other things it will include a vaporizer, a breast lift, and a sex toy. GQ categorizes each item ranging from basic to “trashy” to respectable. According to an article in The Atlantic, not everyone was happy with the assortment of gifts and the Academy has sued the marketing firm that put the package together. Sigh…it’s getting harder and harder for the 1% to enjoy their conspicuous consumption.

Roll Out the Red Carpet: It’s Time for the Media Awards Shows

AwardsThe 58th Grammy Awards show tomorrow night, Feb 15th, continues the awards show season that started with the Golden Globe Awards show broadcast on January 10th. Next up will be the movie industry’s gala, the 88th Academy Awards show, (aka, the Oscars), scheduled for February 28th. Two smaller awards programs, the iHeartRadio Music Awards show and the 51st Academy of Country Music Awards, will air in April. TV’s big night, the Emmy Awards, will air sometime in the fall season.

These awards shows are an opportunity for media executives and celebrities to take a stroll on the red carpet while they pat each other on the back. I don’t mean to sound cynical, but the hoopla is mostly an insider’s party that the public is allows to watch from the sidelines. (Of, if you’re really lucky, up close as a seat filler.)

If you like music, movies, and TV there will likely be something for you to enjoy. But there will also be performances and awards that will just as likely make you wonder what else is on. These awards shows are all about pop media content, but the range is pretty broad and not to everyone’s taste.

However, if you need a reason to tune in here are a few.

Grammys: 1) Taylor v Kendrick, 2) you’ll get to see a number from the Broadway show Hamilton, and 3) Lady Gaga’s tribute to David Bowie.

The Academy Awards: 1) will be hosted this year by Chris Rock, which is particularly newsworthy because of the #OscarsSoWhite controversy and the calls to boycott by leading black actors, and 2) Leonardo DiCaprio is up for an Oscar for The Revenant, and 3) the outfits.

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