Whitney Houston’s Teachable Moments

Whitney Houston taught us a lot about life. When a pop star lives, and dies, in the media spotlight teachable moments are part of the package. But not all of those moments have a happy ending. The last, and some would argue most lasting, lesson from Whitney’s life may be that battling addiction is a struggle that too often ends tragically for everyone involved.

Whitney had it all: a gift of a voice that only comes around once or twice in a lifetime, beauty, fame, and fortune. Whitney taught us that moving from the church choir to the concert hall takes just a few short steps if you’ve got real talent. She taught us that life is to be celebrated and that music can lift our spirits like nothing else. And she taught us to be careful about who we choose as friends and lovers.

Sadly, Whitney joins a long line of musical performers who lost the battle with drug and/or alcohol. Every generation and every musical style can point to artists who sacrificed their own lives in the pursuit of their musical passion. See my earlier post, Popular Music’s Sad Legacy, for other recent examples of musicians who met a similar fate.

For some the struggle to rise from obscurity to stardom is too much to bear. Climbing Mt. Everest may be a suitable metaphor. While many aspire to reach the top, the summit has room for only a  few superstars at a time. Those who slip and fall off the trail are quickly forgotten and even those who reach the summit are not guaranteed a safe return to base camp. The air is thin, and the lack of oxygen can impair one’s judgement at those critical moments when the trail gets steep and storms roll in.

The mass media are known for creating, and destroying, careers and legacies. Even after a career has peaked, the after-market of reality TV shows are there to drain whatever life remains. Whitney’s family and friends probably wish they could “undo” the hours of videotape footage that was recorded in the making of Being Bobby Brown, a reality TV series that aired on Bravo in 2005.

No doubt, Whitney Houston’s music will live on long after her death. But it will always be remembered as music that ended abruptly before the final verse and chorus were sung.

Popular Music’s Sad Legacy

The death of Amy Winehouse–from what some suspect was a drug overdose–may not come as much of a surprise to her fans or those who study popular culture. Sadly, too many aspiring young musicians have died early deaths as a result of addictive behavior and a hard-driving lifestyle. The phenomenon has  been chronicled in a 2009 book, The 27s: The Greatest Myth of Rock & Roll.
There’s also a movie, The 27 Club, based on the tragic and dangerous lifestyle that too many have tried, unsuccessfully, to live. Here’s a brief synopsis of the movie:

When you’re dead, you’re gone. You exist only in the minds of those you leave behind. You become a fragment of a story; a beginning, middle or end. Tom is dead. Elliot has been left behind. Tom was the front man of their successful band, Finn. He died on his 27th birthday. Elliot is left to decide if he, too, will join The 27 Club.

Members of the real-life 27 Club include, among others: Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain. A complete list is available here.

Music, an important social and cultural force, and the music industry have long attracted artists and creative minds that sometimes march to the beat of a different drummer. Add to that a lavish lifestyle and the trappings that come with fame and fortune and the outcome is sometimes too easy to predict. The need to succeed–which for many musicians is exemplified by an appearance on the cover of Rolling Stone magazine–often eclipses more rational and reasonable needs that are part of a healthy lifestyle. It is sad to watch talented and creative musicians self-destruct. In some cases the downward spiral is quick and catches us off guard. For other, such as Winehouse, the signs have been present for quite some time.

August 24 Update: Toxicology reports indicate that illegal drugs are not responsible for the death of Winehouse leaving experts puzzled. However, the following from ABC News indicates that the evidence is not conclusive.

But Pittsburg forensic pathologist Cyril Wecht cautions against reaching a conclusion from the family’s statement.

“The fact that the family said no illicit drugs were found does not mean in and of itself other drugs obtained legally were not found,” Wecht told ABCNews.com. “Most drug deaths are from legally obtained drugs. That’s one caveat I would express in regard to the family’s statement.”

Bruce A. Goldberger, a toxicology professor at the University of Florida, said some prescription drugs, illicit drugs and “designer” drugs can escape detection.

Misogynistic Hip-Hop Lyrics: What’s the Big Deal?

In class today we discussed the prevalence of misogynistic lyrics in rap and hip-hop music. Unfortunately we didn’t have enough time to hear from more than a few of you, and I’m curious about what others think about this issue. To rephrase the issue, is it okay for popular rap and hip-hop artists to denigrate women? If so, are women paying a price for accepting attitudes and images that reduce them to sex objects and second-class citizens? And if not, why do people defend the music and the musicians that perpetrate these images? Before you weigh in, watch this five minute video on YouTube:

[youtube=http://www.youtube.com/watch?v=WjxjZe3RhIo]

Before posting a reply remember that this is not a forum to attack a culture, subculture, ethnic group or individuals belonging to any group. Keep your comments civil and attack the issues…not other posters.

Copying is Not Theft…Or is it?

[youtube=http://www.youtube.com/watch?v=IeTybKL1pM4&feature=player_embedded]

This video is a rather “cute” argument in favor of digital copying, but the logic has some serious flaws. As YouTube commentator “spare2288” noted (with a little ad hominem thrown in for effect), “Copying is not theft. okaaaay. Also, theft is wrong. uhh yeahhh. Therefore copying is not wrong. hmm…sorry are you a moron?”

On another blog, “Anonymous” said, “I’m sure the manufacturer of the bicycle in the cartoon will be glad that making a copy of the bicycle is so easy. This will free him from the burden of actually manufacturing and selling bicycles which used to be a high-paid technical position. User-generated copying saved him just like it saved the music industry.”

If you’re a bicycle maker, or musicians, having people copy your work for free may not put you in the mood to sing along with this catchy little tune.

Have Grammy Awards become Irrelevant?

Okay, there are a million opinions out there (reality check: Google search = about 44.4K results) about whether the Grammy awards have become irrelevant. First some quick background. The 52nd Grammy Awards, on CBS tonight, will probably have less than 20 million viewers (update: 2.13.11, they had 25.8 million viewers in 2010, the most in 6 years). Compare that to 90 million for the Superbowl next week and 30+ million for American Idol. Unlike American Idol, the Grammy awards do not incorporate viewer/popular voting. The Grammy awards are selected by industry professionals who belong to the National Academy of Recording Arts and Sciences and who skew older than the average music fan. Some argue that the Grammys are about musical consensus and we are no longer (if we ever were) a nation of consensus, especially when it comes to musical tastes. So, what do you think? Which of the following statements best describes your view of the Grammy awards?

  • There are too many music awards shows on TV.
  • The Grammy judges don’t acknowledge the artists that I like and listen to.
  • The artists don’t seem to care, why should I?
  • The performances are usually pretty lame.
  • The music industry is in a free-fall…and the Grammy Awards celebrates the industry, not the musicians.
  • Other: _____________ (fill in the blank)

Idol’s New Season Starts Tonight

American Idol has been a huge success for the Fox TV network. Year after year at first place in the ratings, AI continues to dominate prime time TV. That kind of success yields substantial revenue. A 30-second spot on Idol nets Fox over $600,000. That and product placement deals with Coke, Ford, AT&T, iTunes and others makes this franchise a gold mine.

Earlier today I asked my Media & Society students why they think American Idol is such a hit with viewers and they offered up several very insightful responses.

  1. Viewers are able to participate in the potential rags-to-riches story line of contestants…seeing themselves as potentially rich and famous if they were just given an opportunity to compete.
  2. We enjoy seeing people make fools of themselves on TV. The Germans have a word for it…schadenfreude, which is translated as pleasure derived from the misfortunes of others.
  3. The large contestant pool means that our social network may allow us to know someone who knows someone who is a contestant. The old six-degrees-of-separation meme strikes again!
  4. And, the interactivity and audience participation provided by the text voting gives viewers/voters a sense of ownership.

I think the students came up with some very compelling explanations for the success of American Idol. It will be interesting to see if that success continues. In case you haven’t heard, the big news this season is the planned departure of the acerbic Simon Cowell. Cowell reportedly turned down $144 million per year to stay. Time will tell just how much Simon’s biting commentaries will be missed by fans of the show. What do you think? Is this the beginning of the end for American Idol?

Modern Day Pirates Run Into Trouble

Pirates, pirates and more pirates

Pirates have been  making a lot of headlines lately. Jack Sparrow has become a bankable asset in Hollywood. Somalian pirates have been on the prowl off the eastern coast of Africa stirring up trouble. If you’ve been watching the news you know that several Somalian pirates were dispatched last week by Navy Seal snipers. But it is the third photo of modern day pirates that is most applicable to discussions of media and society because of the issue of intellectual property (IP) rights. The pirates in the third picture are the founders of The Pirate Bay, a BitTorrent tracking website that connects file sharing parties. Recently they were convicted by a Swedish court of assisting in copyright infringement and sentenced to one year in prison and fined $3.6 million.

Media piracy is an ongoing problem for media companies. Music was the first media format to experience widespread piracy but movies, videogames and other media are also “shared” by both friends and strangers. People who wouldn’t think of shoplifting don’t bat an eye at the thought of downloading media without paying. Somehow the idea that media companies and content producers make plenty of money becomes justification for behavior that, despite its illegality, does not seem to be slowing.

Whether or not you view IP infringement as theft may depend on your place in the content food chain. If you’re a content producer (or hope to be one in the future) you may be more inclined to view piracy as theft. Here’s what Sir Paul McCartney had to say about the Pirate Bay verdict. Link to Sir Paul McCartney

MySpace Music to the Rescue!

The music industry has had a tough time of it for the past decade or so…but help may be on the way. According to a news story reported in Business Week, MySpace Music is about to launch in a few days.

MySpace Music is a joint venture between News Corp.’s social networking site and the three largest record labels—Universal Music Group, Sony BMG Music Entertainment, and Warner Music.

This effort is a direct response to the plummeting revenue that music labels have been experiencing since 1999. Part of the reason for the decline is online music piracy…but some would argue that it also reflects a shortage of hit records. Whatever the cause, record labels are trying new tricks to monetize their creative assets.

According to Business Week,

The idea behind MySpace Music is that it can help generate revenue for artists every day, not just around an album’s release. The venture gives the labels access to MySpace’s global audience of 118 million users and its ad sales team of more than 250 people. It also provides the labels with a prominent venue to pull in audiences and advertisers with new types of nonmusic content, including music news, behind-the-scenes videos, and artist interviews.

MySpace is designed to do more than bring in ad revenue, though. It also gives the industry a new channel through which to sell songs, ringtones, T-shirts, and tickets. With 5 million artists using the site to promote their bands, MySpace has already become a major destination for discovering new music and upcoming concerts.

One thing is fairly clear–the major record labels have been slow to embrace new media and only time will tell if this is a case of “better late than never,” or “too little, too late!” What do you think? Will MySpace Music revive the ailing music industry?

Grammy Awards and the WGA Strike

grammy.jpgThe Writers Guild strike is nearly over. A vote is scheduled for Tuesday and it appears that they will be picking up their pencils later this week. Too bad for the producers of the 50th annual Grammy Awards who, although they had brokered a deal to allow the show to proceed, clearly didn’t have the full force of the creative community at their disposal. The music industry is in trouble, and this “celebration” of talent is a sad acknowledgment of that reality. The only thing that may help the ratings this year is that the awards show didn’t have to compete against a new episode of Desperate Housewives!

Ratings Update: The Grammy Awards pulled a 6.9 rating from the 18-49 demo, sharply down from last year and one of the poorest showings ever. Adding insult to injury, the audience was not much larger than that for ABC’s Extreme Makeover: Home Edition.

High/Low-lights:

  • A Jazz album won Record of the Year once again…only 43 years since the first and only time that has happened.
  • Watching Amy Winehouse is like watching an accident…you can’t help but look.
  • Brad Paisley sang a song about ticks…and I mean the blood-sucking kind.
  • The best line of the night was unscripted…Vince Gill poking at Kanye.
  • And oh yeah, Barak Obama beat out Bill Clinton for the “Best Spoken Word Album” award!

See all the winners at the Grammy website.

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