Steve Jobs, Typography and the Mac

Although the passing of Steve Jobs this past week was not unexpected, it still was an emotional event for Apple fans and anyone who followed technology and media. The death of Steve Jobs attracted extensive media attention with much of the coverage focusing on his contributions over the years to the development of a computer and media empire that consistently delivered more than it promised.

To commemorate his passing I had my Media & Society class watch the 2005 commencement address that Steve Jobs delivered to the 2005 graduating class of Stanford University. The speech is only 14 minutes in length and you can see it below. There’s much to reflect on when listening to Jobs talk about his upbringing, his abbreviated college years, the twists and turns of his professional career, and his bout with cancer.

The one thing that stood out to me was the role that a class in typography, from Reed College, had on Jobs’ design of the Macintosh computer and, in many ways, the direction of Apple computer. Font selection, leading, kerning, tracking and ligatures are the concerns of a fairly obscure group of individuals, namely printers and typography geeks, yet Jobs was captivated by the ancient art of arranging letters on a page. Prior to the Apple Mac, computer type was crude and utilitarian. Function certainly won out our over form for screen fonts and printer output. But Jobs equipped the Mac with Postscript font technology and that, married with the personal laser printer, made high quality screen and print typography accessible to the masses. We take for granted font selection and high quality print output…but for that we should thank Steve Jobs and his vision for the Macintosh computer that started when he dropped in on a typography class at Reed College.

Amazon’s Kindle is on “Fire”

Amazon just announced its new color media tablet called the Fire…which, at $199, is cheaper than the Nook Color by Barnes & Nobel and much cheaper than the Apple iPad. According to reports, the Android-powered tablet has a 7-inch touchscreen powered by Google’s Android OS. The Fire will be able to access Amazon’s app store where users can download books, music, movies and apps.

Analysts doubt that the Fire will dethrone the iPad which current has more than 70% of the tablet market share. However, other tablet makers will most certainly feel the squeeze from this new entry. Unlike the iPad, the Fire does not have a camera (still or video) and is intended for consumption, not creation. While later models may add features, the current product is aiming for a different audience than those who are in the market for an iPad.

The Fire also has a new browser called Amazon Silk. Web surfing will be faster because of Amazon’s decision to incorporate its “Cloud” of EC2 servers to enhance the browser’s performance. This decision may speed up browsing, but already has some industry experts expressing concerns about privacy.

The Kindle Fire is expected to be available in mid November…just in time for the Christmas shopping season. And for those of you who want your media content experience when you want it, where you want it, and on a screen larger than your smart phone, the Fire may be something to consider.

UPDATE 10.3.11: Here’s a chart comparing e-Book readers.

Sony Playing Hardball with new ToS

Do you enjoy using your PS3 to play online? Well, if you want to continue you’ll have to agree to waive your right to participate in any future class-action lawsuit against Sony if they should, say…for instance, compromise your account data by sloppy network security. The new Terms of Service (ToS) agreement that was released this week are designed to protect Sony…and only Sony. You, on the other hand, are at the mercy of a corporate power that has a pretty shoddy track record when it comes to protecting consumer data. You can read more about it here.

From Section 15 of the new terms and conditions:

If you have a Dispute with any Sony Entity or any of a Sony Entity’s officers, directors, employees and agents that cannot be resolved through negotiation within the time frame described in the “Notice of Dispute” clause below. Other than those matters listed in the Exclusions from Arbitration clause, you and the Sony Entity that you have a Dispute with agree to seek resolution of the Dispute only through arbitration of that Dispute in accordance with the terms of this Section 15, and not litigate any Dispute in court. Arbitration means that the Dispute will be resolved by a neutral arbitrator instead of in a court by a judge or jury.

There is an opt out…but it is pretty low-tech. If, within 30 days of signing the new ToS, you send a snail-mail letter to Sony’s legal department in California you can reject the dispute resolution clause. But seriously, how many PS3 users are going to read the new ToS, and how many of them are going to go to the trouble of writing and mailing a letter to Sony?

The power of moving images

Did you happen to see the video of bystanders lifting a burning BMW off of an injured motorcyclist? If you didn’t, watch it on Youtube here. I love seeing how, in just a matter of seconds, people jump in to do the right thing despite potential danger to themselves. A joint effort by construction workers and university students (including a young woman) resulted in a life saved from what would most certainly have been a tragic death. Watch the young woman get down on her belly to look at the victim pinned under the car. It was her announcement that he was alive that spurred the second effort. Before that they just thought they were trying to free a dead body.

There another angle to this story. If someone hadn’t pointed his cell phone camera at the accident from a nearby office building, we probably wouldn’t be celebrating this wonderful act of heroism that restores our faith in humanity. Sure, it would have been written up in local papers, including eyewitness testimony about the unfolding events…but it wouldn’t have been seen and appreciated by the millions of people worldwide who have now seen the video. An ordinary citizen, in the right place at the right time with a cell phone video camera, captured a few seconds of footage that we’re all talking about today. This is citizen journalism and eyewitness reporting at its best.

Years ago a person pointed his video  camcorder at a police action on the side of a California highway. The beating of Rodney King was videotaped and shared across the nation and around the world. After LAPD officers on trial for police brutality were acquitted, riots broke out in LA resulting in “53 deaths, 2,383 injuries, more than 7,000 fires, damages to 3,100 businesses, and nearly $1 billion in financial losses” (Wikipedia).

Both are examples of the power of documentary evidence of an event that might otherwise have passed with little or no attention. One highlights positive actions and the other destructive actions…and both make important contributions to a just and free society.

Happy birthday email!

You may be surprised to learn that it has been 29 years (and a few days) since email was copyrighted by then 16-year-old V. A. Shiva. While the growth of SMS (text messaging) and social media sites such as Facebook and Twitter have taken some of the traffic that might otherwise have gone to email, Shiva is confident that email will continue to be a significant form of electronic communication for some time.

Current estimates are that approximately 300 billion email messages are sent daily, and about 90% of those are spam. Fortunately for us spam filters delete most of the unwanted email messages before we have to deal with them.

For more information about the history of email and current statistics about users, see the article and info-graphic here.

Popular Music’s Sad Legacy

The death of Amy Winehouse–from what some suspect was a drug overdose–may not come as much of a surprise to her fans or those who study popular culture. Sadly, too many aspiring young musicians have died early deaths as a result of addictive behavior and a hard-driving lifestyle. The phenomenon has  been chronicled in a 2009 book, The 27s: The Greatest Myth of Rock & Roll.
There’s also a movie, The 27 Club, based on the tragic and dangerous lifestyle that too many have tried, unsuccessfully, to live. Here’s a brief synopsis of the movie:

When you’re dead, you’re gone. You exist only in the minds of those you leave behind. You become a fragment of a story; a beginning, middle or end. Tom is dead. Elliot has been left behind. Tom was the front man of their successful band, Finn. He died on his 27th birthday. Elliot is left to decide if he, too, will join The 27 Club.

Members of the real-life 27 Club include, among others: Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain. A complete list is available here.

Music, an important social and cultural force, and the music industry have long attracted artists and creative minds that sometimes march to the beat of a different drummer. Add to that a lavish lifestyle and the trappings that come with fame and fortune and the outcome is sometimes too easy to predict. The need to succeed–which for many musicians is exemplified by an appearance on the cover of Rolling Stone magazine–often eclipses more rational and reasonable needs that are part of a healthy lifestyle. It is sad to watch talented and creative musicians self-destruct. In some cases the downward spiral is quick and catches us off guard. For other, such as Winehouse, the signs have been present for quite some time.

August 24 Update: Toxicology reports indicate that illegal drugs are not responsible for the death of Winehouse leaving experts puzzled. However, the following from ABC News indicates that the evidence is not conclusive.

But Pittsburg forensic pathologist Cyril Wecht cautions against reaching a conclusion from the family’s statement.

“The fact that the family said no illicit drugs were found does not mean in and of itself other drugs obtained legally were not found,” Wecht told ABCNews.com. “Most drug deaths are from legally obtained drugs. That’s one caveat I would express in regard to the family’s statement.”

Bruce A. Goldberger, a toxicology professor at the University of Florida, said some prescription drugs, illicit drugs and “designer” drugs can escape detection.

Thank You & Goodbye

Last Sunday Rupert Murdoch’s tabloid News of the World was laid to rest after 168 years of operation. A scandal in which private individuals’ cell phones were hacked led to the public outrage that forced the closure. While politicians and celebrities, including Hugh Grant, have long complained of phone hacking by tabloid reporters, it was the hacking of the phones of  private citizens that brought strong criticism and investigations by law enforcement. Among those hacked: 13-year-old missing person Milly Dowler, relatives of victims of the London terrorist attacks and the families of fallen military.

Throughout history journalists have been rewarded for “scooping” the competition. The paper or news organization that got the story first was rewarded with the largest audience and the accolades of their peers. The challenge, of course, is knowing when to stop before aggressive journalism crosses the fine line that separates ethical from unethical practices. While this case appears to have focused attention on an unusually egregious lapse of ethics, the truth is that journalists push the envelope daily and often escape scrutiny. Sometimes the risk pays off in a big way. Other times it leads to someone getting fired–or an entire news operation being shuttered and hundreds of people loosing their jobs.

Digital Tools of the Trade

A recent article critical of technology requirements  for students attending Missouri School of Journalism got me thinking about what should be the minimal tool-set required for students of mass media. The article focused on student objections to a proposed requirement that each student purchase an iPad. Previously students were required to purchase either an iPhone or iPod Touch and other journalism programs, e.g. Virginia Tech, have required incoming students to have a laptop with specific software. Specific courses at various universities may require students to purchase a digital camera, audio recorder or external hard drive in addition to a course textbook and recordable media. The days of books, pencils, binders and 3-hole punched paper are long gone!

Here at CSU-Pueblo we have avoided requiring majors to purchase specific hardware but that may be changing. For several years we have been charging a course fee for certain laboratory-based classes that have a technology component. The fee, ranging from $25 to $50 per course, has helped to defray the cost of computer hardware and software and audio and video recording hardware and media. The University is moving away from course fees and proposing “department fees” that would be applied to every student who has declared a major. For example, a $5 department fee would add an additional $5 per credit hour to all MCCNM majors in an attempt to recoup some of the cost of offering courses that require access to expensive technology. For a student taking 15 credit hours, this would add $75 to the cost of each semester enrolled. Some students, and their parents, may object to these additional fees forcing university administrators to look for other ways to address the cost of technology. One such idea, also controversial, is the one taken by Missouri School of Journalism–to make the technology a prerequisite for students enrolling in the major or in specific courses.

So that got me thinking. What exactly should a mass communication major at CSU-Pueblo, or any other respectable university, have in his/her toolbox of media technology? At a minimum, anyone working in journalism should have a digital camera (still and video), an audio recorder, and, ideally, software on a tablet or laptop that allows for photo, audio and video editing. Without endorsing a specific platform or product line it must be noted that an Apple iPhone or iPad contains all of the above features. Better quality and flexibility can be gained by purchasing the components separately, but the cost would certainly be higher. For a few hundred dollars you can secure a digital still/video camera, and an audio recorder can be had for under $100. However, the editing/encoding/uploading process will likely require a laptop and software that may add $1000 or more. Extensive digital audio and video editing will require extended storage. The good news is that a 1TB hard drive can now be purchase for less than $80 and recordable optical media is relatively inexpensive.

If you want to work in design and layout of print media, a laptop with Photoshop and a page layout program such as InDesign may be the minimal setup with a price tag approaching $1,000. For those who want to work in TV/Film and related visual industries DSLR cameras capable of HD are now readily available for about a thousand dollars. Add another $1,500 or so for the editing hardware/software.

My point in all of this is to ask the question, what is an appropriate level of university support for future media professionals and what should be expected of students? Would a music major be expected to own his own instrument? How about an art major? Do they purchase all or some of their tools and supplies? How about in the sciences? At what point do chemistry or biology lab fees kick in to provide everything from beakers to cadavers?

What do you think? What kind of technology would you be willing to purchase on your own and what do you expect your tuition and fees to provide?

Nuclear’s PR Problem

Some time ago I wrote about the PR problems confronting the climate change community. Questions about the integrity of the supporting scientific data were raised after leaked emails suggested that researchers had a hidden agenda.

The nuclear energy industry in America, and the world, is experiencing a PR problem as well. Part of the problem can be attributed to historical events while another part appears to be based on irrational fears surrounding nuclear technology. But certainly a significant part of the problem surrounding public perceptions about nuclear energy can be traced to mass media portrayals of real and imaginary nuclear events.

This blog post will not be an attempt to defend or defame nuclear energy or the nuclear power industry, but rather to explore the source of public perceptions about the nuclear power industry and how the media have contributed to that perception.

The China Syndrome, starring Jane Fonda, Jack Lemmon and Michael Douglas, arrived in theaters on March 16, 1979. According to the NY Times, “With the no-nukes protest movement in full swing, the movie was attacked by the nuclear industry as an irresponsible act of leftist fear-mongering.” But then, just twelve days later, the nuclear industry experienced a devastating blow when an accident at Three Mile Island in Pennsylvania raised new fears about the safety of nuclear power. I grew up just down the road (and down wind) from Three Mile Island and was quite aware of the pandemonium that ensued in the days following. In fact, the fallout from Three Mile Island is frequently blamed for a virtual halt to nuclear power development in the US. While public fear and panic was substantial, the physical damage from TMI was relatively minor. Again, the NY Times:

The T.M.I. accident was, according to a 1979 President’s Commission report, “initiated by mechanical malfunctions in the plant and made much worse by a combination of human errors.” Although some radiation was released, there was no meltdown through to the other side of the Earth — no “China syndrome” — nor, in fact, did the T.M.I. accident produce any deaths, injuries or significant damage except to the plant itself.

The most serious nuclear accident happened in April of 1986 at the Chernobyl reactor in the Ukraine. The accident resulted in 57 deaths, primarily among workers involved in attempts to contain and clean up the damaged reactor. And most recently, news coverage of the Fukushima Daiichi nuclear facility damaged by the 8.0 earthquake and subsequent tsunami has contributed to widespread fear of nuclear radiation poisoning, although no effects of radiation exposure have been recorded to date [link].

Despite the relatively few deaths and injuries related to nuclear power production, a significant segment of the public is strongly opposed to nuclear power based on concerns over safety. Media coverage of the Fukushima story continues to emphasize “potential” harm from radiation exposure even though there is little evidence of real consequences.

Of course who can blame us for being a little nervous. Godzilla, a mutant product of a nuclear explosion, wreaked havoc while the movie’s anti-nuke message resonated with post-WWII Japanese. Teenage Mutant Ninja Turtles gained their power from nuclear ooze while their impressionable adolescent fans “learned” nothing about the actual physics behind the technology. And with an inept Homer Simpson at the controls of the local nuclear power plant, disaster appears to be inevitable.

Whether it is sensational and/or uninformed reporting of news events or fictional portrayals of our worst nuclear nightmares, the media have been steadily building a case against nuclear in the court of public opinion. Stephen Dubner and Steven Levitt, authors of Freakonomics, dubbed the media’s role the Jane Fonda Effect and concluded their article by predicting that the future of nuclear power in the US, “may all depend on what kind of thrillers Hollywood has in the pipeline.”
What do you think? Have the media given nuclear power a fair shake?

References:

Hidden Camera Take Down

Hidden cameras and microphones date back to the earliest days of radio and TV. Candid Camera caught unsuspecting people reacting to dramatic or humorous situations created by the show’s producers. After the initial shock and surprise wore off, the unwitting victims were asked to sign a talent release thus allowing the producers to put them on the air. Their 15 minutes of fame seemed like a reasonable reward for a few minutes of awkward discomfort.

In recent years the popular series Prime Time Live and Eye to Eye with Connie Chung often used hidden cameras and set-ups to catch people behaving badly. Those who advocate for hard-hitting investigative journalism often argue that deception and hidden cameras/microphones are necessary tools to collect the kind of evidence that will “bust a story wide open.” Even 60 Minutes has resorted to hidden cameras and most of us are very familiar with the controversial sting operations conducted by Chris Hansen for his To Catch a Predator series.

The latest incarnation of gotcha journalism is pushing the envelope of what can be called journalism. At the head of the pack is James O’Keefe. O’Keefe rose to notoriety by posing as a pimp–along-side his assistant posing as a prostitute–to expose the seemly underbelly of Acorn. Acorn, an affiliation of community organizations with ties to Obama, has since lost its federal funding.

Because of recent events the same fate may await NPR and PBS. Just this week O’Keefe struck again by framing NPR fund-raising executive Ron Schiller. In a hidden-camera interview, Schiller is heard venting about conservatives, the tea party, and at one point proclaiming that NPR would be better off without federal funding. This embarrassment, close on the heals of the Juan Williams firing a few months ago, has resulted in the firing of NPR president and CEO Vivian Schiller (no relation to Ron). The bad news couldn’t come at a worse time as congress is currently debating whether to de-fund the Corporation for Public Broadcasting, i.e. PBS and NPR.

Another recent sting operation was conducted by the anti-abortion group Live Action. Planned Parenthood employees were caught on camera giving advice on how to get around restrictions for treating underage prostitutes. At the very least it appears that the employees were turning a blind eye to the sexual exploitation of minors. The uproar continues to dog Planned Parenthood and may jeopardize its funding as well.

But conservative operatives aren’t the only ones going after their opponents using questionable tactics. Just two weeks ago Wisconsin Gov. Scott Walker was “punked” by Buffalo Beast editor Ian Murphy pretending to be a wealthy Republican donor. The phone conversation, which raised questions about Gov. Walkers true intentions, is available on YouTube for anyone who wants to draw his own conclusions.

Credible news organizations and journalistic entities, e.g. the Society of Professional Journalists, have very specific policies about deception and use of hidden microphones and cameras. According to the SPJ code of ethics, the examples above violate the very basic principles of journalism and compromise the integrity of the craft. Kevin Z. Smith, SPJ ethics committee chairman, said “This tactic and the deception used to gain this information violate the highest levels of journalism ethics.” Smith continued, “To lie to a source about your identity and then to bait that source into making comments that are inflammatory is inexcusable and has no place in journalism.”

What do you think…do these tactics cross the line and call into question the integrity of the journalists themselves? Or, are these tactics necessary to expose wrongdoing?

For a rather lengthy discussion of the ethics of hidden cameras, see Gotcha!

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