Fyre Festival Torch Job

I once knew an old fire chief and he used to describe arson as, “a New York torch job”…no matter where it happened. Arson, as you well know, is a crime committed to defraud an insurance company and make off with the cash. Of course insurance companies and law enforcement are pretty good at sniffing out circumstances when arson is likely to have occurred, and when they do the guy playing with fire is the one who gets burned.

According to Wikipedia, the Fyre Festival was “a failed ‘luxury music festival’ founded by Billy McFarland, CEO of Fyre Media Inc, and rapper Ja Rule. It was created with the intent of promoting the company’s Fyre app for booking music talent.”

Here’s the promo video…

Slick promotional video

Two documentaries (one from Hulu and the other from Netflix) were released a couple of weeks ago. According to The New Republic website, “Both documentaries purport to tell the ‘real’ story behind the Fyre Festival debacle of 2017, in which the charlatan Billy McFarland ripped off customers who had bought into an Instagram-fueled dream of partying with supermodels in the Bahamas. The dream never materialized—instead of champagne and concerts and luxury villas, ticket-holders encountered FEMA tents, empty beaches, and a transportation crisis. McFarland left behind a trail of unpaid debts, notably to the residents of Great Exuma itself, and ended up in jail for wire fraud.”

But this is where things really get interesting. According to The New Republic, the Netflix version of the story may be an attempt to rehabilitate the reputation of the festival’s much maligned promoter. The full article is worth the read and contains fascinating information about how this scam materialized. For example, Kendall Jenner was paid $250,000 for one Instagram tweet promoting the festival. As MCCNM student Monique Cousin observed, “it was Instagram that created the buzz for the festival, and one tweet of a cheese sandwich that brought it down.”

The infamous cheese sandwich pic

The article concludes with this caution…”Fyre Festival is a story about insidious digital marketing, corporate irresponsibility, and the misdeeds of a handful of men who control the images that appear on your social media and shape your opinions.”

The event billed as “the cultural experience of the decade” turns out to be just another warning of eminent danger ahead for those who can’t read the signs of the times.

Documentaries Target Music Greats

The late great Michael Jackson

Leaving Neverland, a new documentary about to premiere at Sundance Film Festival, is shining a light on allegations of child molestation by the late Michael Jackson. But Jackson is not the only musician to be the center of attention by documentary filmmakers. Fans of R&B artist R. Kelly are well aware that last month’s Lifetime documentary series Surviving R. Kelly has focused intense scrutiny on Kelly and his alleged abusive relationships with underage women. Several news outlets have reported that RCA Records has dropped Kelly in light of these revelations.

Everyone has flaws, and for musicians at the pinnacle of success, those flaws become tragedies waiting to be exposed by the unblinking eye of the camera. Managers and fans wish that documentary filmmakers would stick to promotional content and not uncover the unsavory parts of the story; but that would be seen by critics and victims as a denial of the truth .

I recently watched the 2018 documentary Whitney and was reminded that any honest documentary about any superstar will contain dark and terrible episodes along with the moments of greatness. Whitney Houston’s incredible talent and musical success were clouded by her toxic relationship with Bobby Brown and the drug addiction that took her life.

Today in Park City, Utah, police are on high alert because of anticipated protests by fans of Michael Jackson. The estate of Michael Jackson is also pushing back, claiming that the two accusers who are at the center of the film earlier testified on behalf of Jackson. The estate is calling this film, “yet another lurid production…to exploit and cash in on Michael Jackson.”

That may be true, but it may also be true that victims will finally be heard. Perhaps truth will be the ultimate survivor.

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